The book is structured around reimagined portrayals of three female characters: Penelope, Medusa, and the unnamed heroine of The Tiger’s Bride by Angela Carter. Each story represents a different facet of the female experience—waiting, transformation, and liberation. These women, often rendered passive, monstrous, or objectified in their original texts, are here given interiority, resistance, and voice. Penelope is portrayed not simply as a loyal wife, but as a woman trapped in the inertia of endless waiting. Medusa is no longer a monster, but a violated woman reclaiming her power and redefining her identity. The tiger bride, shedding her human skin, becomes an emblem of rebellion and instinctual freedom.
The photography combines portraiture, still life, landscape, and symbolic mise-en-scène to construct a dreamlike narrative space. Lighting, costume, and gesture are carefully choreographed to reflect emotional states and psychological transformation. We also integrated poetic texts—by feminist poets such as Patricia Smith, Suniti Namjoshi, and Anne Kwok— into the layout, allowing visual and literary storytelling to intertwine. Original illustrations and thoughtful page design add a fairytale quality, blurring the line between childhood imagination and adult reinterpretation.
This project is deeply personal. It grew out of conversations between women, and a desire to reclaim the stories we have inherited. It critiques the way traditional narratives often reduce women to objects of desire, figures of fear, or symbols of virtue. At the same time, it offers an alternative: a space for ambiguity, agency, and emotional honesty. Through this book, I hope to invite viewers—especially young women—to reflect on how stories shape their identities, and to consider the power of rewriting those stories on their own terms.